當流動科技闖進藝術殿堂：從博物館視聽導覽之使用談其對藝文消費之介入

如同手機流動科技展現了社會的流動現代性，博物館的視聽導覽同樣展演了物質文化、流動科技與社會性的複雜交織。援引行動者網絡理論，本研究將使用視聽導覽的參觀者當作人機組裝體，並探討引入「影音」時間性如何轉變了空間式的博物館「展覽複合體」與藝文參觀的速度政治。最後討論使用導覽所需的文化、經濟與社會資本，思考流動科技中介對藝文接收實踐之影響。透過田野觀察與深度訪談法，本研究以2007-8年台北故宮的「華麗巴洛克：偉大的哈布斯堡收藏家—來自維也納藝術史博物館之鉅作」展為展覽個案。

關鍵字

人機組裝體；展覽複合體；媒介科技與流動性；視聽導覽；藝文消費

並列摘要

As mobile technologies are applied to perform the fluid mobility of the social, museum audio guides facilitate the complex interaction among material culture, mobility, and society. Based on actor-network theory, this study considered the user of audio guides to be both a human and a nonhuman hybrid assembly. I examined the process of how an audio guide combines narrated text with a temporal rhythm to transform the museum as a spatial 'exhibitionary complex'. Thus, audio guides introduce a new speed politics in museum visiting. Finally, I analyzed the cultural, economic, and social capital of users employing audio guides as a mobile technology. This research was based on the observation and in-depth interviews of visitors to the ”Splendour of the Baroque and Beyond” exhibition at the National Palace Museum in Taipei between October 2007 and February 2008.

並列關鍵字

art consumption ； audio guide ； exhibitionary complex ； hybrid ； mobile media technology

參考文獻

劉婉珍(2008)。觀眾研究與博物館的營運發展。博物館學季刊。22(3)，21-27。

林宏熒(2006)。從語音到影音談博物館如何規劃掌上型數位導覽。博物館學季刊。20(1)，97-114。

宋曜廷、張國恩、于文正(2006)。行動載具在博物館學習的應用：促進「人─機─境」互動的設計。博物館學季刊。20(1)，17-34。

English Heritage. (2003). Talking images conference report. Talking images conference organized by RNIB and English Heritage, 21-23 May, 2003, London. Retrieved from http://www.rnib.org.uk/.../talking_images_conference_report