試論曉雲法師對孔子美學思想的繼承與發展

On the Continuity and Development of Xiao-Yun Master to Confucius' Aesthetic Thinking

吳幸姬(Xing-Ji Wu)

《華梵人文學報》 3期 (2004/06) Pp. 165-193

https://doi.org/10.29930/HJH.200406.0005

摘要

關於藝術，曉雲法師所關懷的是，中國藝術如何繼往開來。故而她所謂的「狹道以『游於藝』」正是用來解決這一問題意識的核心命題。該命題乃是從孔子「志於道，據於德，依於仁，游於藝」的美學思想中提煉而出的。從詮釋學的角度來看，那正意味著孔子「游於藝」的學說在歷史中成爲脈絡而爲後人不斷曆展著，而這個歷史的脈絡是一種「前理解的視域(horizon)」。率此，我們可以說，孔子「游於藝」的學說即是曉雲法師的美學思想的前理解，故而它亦即是我們理解與詮釋曉雲法師的美學思想的進路。有鑑於此，筆者本文即從孔子的美學思想出發，再述及曉雲法師對孔子美學思想的繼承與發展，以明曉雲法師的美學思想的精義。

關鍵字

成於樂 ； 游於藝 ； 藝與道合

並列摘要

What Xiao-Yun (曉雲) master's art thought concerns about how Chinese art carry on the past and open ways for future. Xiao-Yun master solves the question by a aesthetic proposition that what Confucius said: ”Set your aspirations on the Tao, hold to virtue, rely on your humanness, and enjoy in the study of the arts.” (志於道,據於德,依於仁,游於藝) According to the philosophical hermeneutics, what Confucius said is a ”horizon of pre-understanding” which became a developing context in the history What Confucius' doctrine which of Xiao-Yun master's pre-understanding is a approach that interprets Xiao-Yun master's aesthetic thinking Therefore, I begins my discourse form Confucius' aesthetic thinking, and describe Xiao-Yun master's succeeding and developing to Confucius' aesthetic thinking for present Xiao-Yun master's essence of aesthetic thinking.

並列關鍵字

completion to music ； enjoy in the study of the arts ； harmony of art and tao

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