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古典時期(1650-1800)品味的問題意識化

The Problematisation of Taste in the Classic Age (1650-1800)

摘要


並列摘要


The problematisation of taste means how the taste becomes a care in the society? And what kind of care it concerns? For the first time in the classic age (1650-1800), the taste became a topic of conversation in aristocratic society of France. The talkative theories about it reveal a complex problematic of ethico-politics and aesthetics. For the courtesans and honnêtes gens, it is in question of a substitution of the aesthetic subject for the moral subject. These social actors who are taste-makers change into a object of art, seen and be seen, judged and be judged. In the social life of aristocratic society where take place the scenes of the cultural competitions and ferocious struggle, the possession of taste involves both a will of existence and a symbolic violence.

參考文獻


(1966).La Rochefoucauld et les morales substitutives.La Nouvelle revue française.28-29,16-34.
Auslander, Leora(1996).Taste and Power: Furnishing Modern France.Los Angeles:University of California Press.
Baeumler, Alfred(1999).traduit de l'allemand par Olivier Cossé.Strasbourg:Presses Universitaires de Strasbourg.
Baird, A. W. S.(1967).'The honnête homme' and Aesthetics.the Pensées in A. U. M. L. A. (Journal of the Australian Universities Language and Literature Association.).28,203-214.
Bourdieu, Pierre(1979).La Distinction.Paris:Minuit.

被引用紀錄


黃若瑤(2015)。「丑角劇之爭」─18世紀中葉法國音樂生活與音樂評論的形成〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU201600403

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