試論臺灣亂彈戲之【梆子腔】

A Brief Discussion of the "Bangziqiang" in Taiwan Luan-tan-xi

劉美枝(Mei-Chi Liu)

《臺灣音樂研究》 5期 (2007/10) Pp. 113-142

https://doi.org/10.29785/FJMR.200710.0005

摘要

臺灣亂彈戲之【梆子腔】為一旋律簡單的曲調，其屬性眾說紛耘。透過對民間抄本的梳理，發現敷唱【梆子腔】之劇有二十餘出。【梆子腔】於劇中的運用情形多樣：有全由【梆子腔】組成者；有與曲牌體、板腔體串聯運用者。分析【梆子腔】的音樂特色，得知其雖無板式變化，但曲調以一對上、下句為基礎而反復演唱，且曲調依腳色分「公調」、「母調」二種，此特點與具板式變化的板腔體相同。另外，透過與其他劇種或鈔本的比較，發現亂彈戲【梆子控】的骨幹旋律與清代秦吹腔鈔本《紅梅山》、《梅玉配》相同，故知臺灣亂彈戲【梆子腔】為清代秦吹腔之一脈。

關鍵字

亂彈戲 ； 梆子腔 ； 吹腔 ； 秦腔

並列摘要

The ”Bangziqiang” of Taiwan's Luan-tan-xi is a tune with simple melody, which draws different opinions about its features. By organizing its manuscripts from folk people, there are approximately over twenty pieces of ”Bangziqiang” with various kinds of application: some consist of ”Bangziqiang”, entirely; some are joined with ballad singing and clapper opera. Regarding the music characteristics of ”Bangziqiang”, it is sung repeatedly based on a couplet (a pair of sentences) without the variation of clapper styles; it also has the same characteristic as the clapper opera which has the variation of clapper styles that ”male tune” and ”female tune” are differentiated according to the roles in the play. In addition, compared with the other types of opera or manuscript, we discover that the tune of ”Bangziqiang” is the same as the manuscript of Red Plum Mountain ”Shanxi” in Qing Dynasty. Red Plum Mountain was a manuscript of Shanxi Chuiqiang during the period of Emperor QianLong in Qing Dynasty; therefore ”Bangziqiang” of Taiwan Luan-tan-xi can be traced to the Shanxi Chuiqiang in Qing dynasty.

並列關鍵字

Luan-tall-xi ； Bangziqiallg ； Chuiqiang ； Shanxi