日本作曲家武滿徹兩首長笛獨奏曲－Voice(1971)與Air(1995)-之比較研究

A Comparative Study of Voice (1971) and Air (1995) for Flute Solo by the Japanese Composer Toru Takemitsu (1930-1996)

陳惠湄(Hui-Mei Chen)

《關渡音樂學刊》 12期 (2010/06) Pp. 87-107

https://doi.org/10.29873/GMJ.201006.0004

摘要

世界知名的日本作曲家武滿徹(Toru Takemitsu, 1930-1996)，以媲美同時代西方作曲家的前衛手法，陸續寫下許多實驗性的作品。但在他的晚年，作品風格卻漸趨保守；他最後的一首作品－寫給長笛獨奏的《曲調》（原文曲名為Air，作於1995年），其風格與早期的作品－也是寫給長笛獨奏的《聲音》（原文曲名為Voice，作於1971年）中大膽實驗的前衛傾向相去甚遠。本文試圖透過這兩首樂曲的比較研究，來看武滿徹個人作曲風格與想法的轉變。

關鍵字

武滿徹 ； 日本作曲家 ； 長笛獨奏曲 ； 聲音 ； 曲調

並列摘要

In his early age, Toru Takemitsu (1930-1996), the leading Japanese composer of the 20(superscript th) century, composed many pieces using the avant-garde technique as shared by his contemporary Western colleagues. However, his musical style becomes more and more ”conservative” in his late years. His last work, Air (1995) for flute solo, shows a great difference with his early piece Voice (1971) for the same instrument. I shall trace the evolution of Takemitsu's musical ideas through a comparative study of these two pieces.

並列關鍵字

Takemitsu ； Japanese composer ； flute solo ； Voice ； Air

參考文獻

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