從「說故事」角度分析
艾拉．費茲潔拉的三首聲樂即興作品

本論文的研究目的在於探討艾拉•費茲潔拉(Ella Fitzgerald, 1917-1996)的三首聲樂即興代表作品“Flying Home” (October 4, 1945) 、 “Oh! Lady, be Good!” (March 19, 1947) 與“How High the Moon” (December 20, 1947)中所使用的即興策略。由於「說故事」的比喻常被爵士樂手們用來形容其即興過程或判斷即興作品好壞的標準，因此本研究將借用文學領域中的「劇情」(plot)與「角色」(characters)等語彙，以了解費茲潔拉如何藉由「角色」與「劇情」的創造與發展，說出具連續性而獨立的「故事」。

關鍵字

艾拉•費茲潔拉；爵士歌唱；聲樂即興；說故事；比喻；劇情；角色

並列摘要

The goal of this research is to explore the scat singing strategies employed by Ella Fitzgerald on “Flying Home” (October 4, 1945), “Oh! Lady, be Good!” (March 19, 1947), and “How High the Moon” (December 20, 1947). Since the metaphor of “telling a story” has often been used by many jazz soloists either for describing their own improvisational process or to judge a solo to be good or bad, thus in this thesis, ideas borrowed from the field of literature in terms of “plot” and “characters” will be utilized when examining these three representative solos of Fitzgerald’s, in order to uncover how Fitzgerald “tells” coherent and individual “stories” by creating and developing her “characters” and “plots.”

並列關鍵字

Ella Fitzgerald ； jazz signing ； vocal improvisation ； scat singing ； telling a story ； plot ； characters ； metaphor.

參考文獻

Pleasants, Henry. “Ella Fitzgerald.” Reading Jazz: A Gathering of Autobiography, Reportage, and Criticism from 1919 to Now. Ed. Robert Gottlieb. New York: Vintage Books, 1999: 977-985.

Deffaa, Chip. “Ella Fitzgerald.” The Ella Fitzgerald Companion: Seven Decades of Commentary. Ed. Leslie Gourse. New York: Schirmer Books, 1998: 162-169.

Bauer, William. “Louis Armstrong’s ‘Skid Dat De Dat’: Timbral Organization in an

Berliner, Paul. Thinking In Jazz: The Infinite Art of Improvisation. Chicago and

London: The University of Chicago Press, 1994.

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從「說故事」角度分析艾拉．費茲潔拉的三首聲樂即興作品

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