一個台灣的區域音樂研究調查─滿州民歌

恆春半島彼此雖然共同分享相同的曲調，但隨著時空的變化、人文環境的不同以及社會的變遷，各鄉鎮各自發展出不同的演唱方式，進而形成自己的特有的傳統，其中尤以滿州鄉最為明顯。滿州鄉雖處於較為封閉的聚落型態，對外發展不易，但也由於這樣的地理環境，滿州鄉獨立發展出自己的音樂系統。透過演唱者突顯當地的音樂風格，不同的詮釋方式，以及當地民謠協進會的努力，讓滿洲鄉能唱出「屬於自己的歌」，因此想透過其曲調、節奏及演唱語法上的分析來探討滿州民歌自立於恆春半島之外成為台灣一個區域性音樂明顯的例子。

關鍵字

恆春半島、滿州民歌、區域性音樂、滿州鄉民謠協進會

並列摘要

Although the townships of Hengchun Peninsula shared the same melodies with one another, with the changes of time and space, and the differences of cultural environment and social transformation, each township had developed a unique way of singing and furthermore had shaped their own distinctive traditions. Among these townships, Manjhou is particularly the most obvious one. Since Manjhou township is a self-contained village on the Hengchun Peninsula, it is not easy for external development. However, it is right because its geographical environment, Manjhou township had independently developed its own musical system. Through singers’ highlights of local musical style in different interpretations, and the promotion of Folksong Association, people in Manjhou twonship have been able to sing “their own songs”. Therefore, I would like to explore the example of Manjhou folksongs’ standing outside of the Hengchun Peninsula and being a regional music in Taiwan through the analyses of its melody, rhythm, and singing idioms.