打鼓山寫實文學研究

The Ta Kwu Shan realistic literary studies

黃俊文(JIUN-WEN HUANG)

指導教授 ： 張炎憲

長榮大學/人文社會學院/台灣研究所/碩士(2012年)

https://doi.org/10.6833/CJCU.2012.00156

摘要

摘要
打鼓山文學在70年代第二次鄉土論戰以前，文學的共同面向是反應殖民地台灣現實處境的寫實主義(realism)文學。而其文學精神除了反對漢民族傳統封建體制，富有啟蒙大眾的使命之外，也突顯了殖民者與被殖民者間不平等的關係，以及殖民者在進行現代化和工業化過程中，對被殖民者農業社會的戕害。此側重文學「社會反應」之寫實主義(realism)文學乃日本殖民統治下台灣新文學之主流，並且建立了堅實的反抗強權、啟蒙大眾之傳統，為台灣文學樹立典範。
以前的人印刷術、文字、語彙較少採用古文、文言文也較實用，「書同文，車同軌」統一文字、文學的方向，較易達成政治共識，教育下一代，而這種分合的現象就必需借多元文化加以批判。打鼓寫實的文學，文學特徵在強調客觀精神，
強調文學必須與現實結合，反應本土意識，蘊涵批判意義，緊握時代與社會的信息。
第一章緒論在說明打鼓山的研究動機與研究目的、文獻回顧與研究成果、研究方法與研究範圍。本論文研究動機是因為鄉土文學論戰，引起打鼓山文學受到重視；而在打鼓五山也順應著一個歷史潮流，在政治經濟政策掛帥之下，鄉土文學展現的鄉土文化，如何使它展現保存下來，正是本文的重點。
第二章是打鼓山地區寫實主義作家生平的背景及貢獻，熱愛高雄的作家，終究在高雄的文學史上獨佔鰲頭。
第三、四、五章析論二次世界大戰到現在打鼓山地區小說、詩、散文的寫實作家風格及其技巧手法。
第六章描述打鼓山地區寫實文學的特色。
第七章結論總結打鼓山寫實文學的階段性，在文學發展上如何被保存下來以供後人研究、及其對80年代多元文化產生的貢獻。

關鍵字

柴山主義 ； 寫實概念 ； 寫實主義 ； 寫實文學 ； 現代主義 ； 寫實文學作家

並列摘要

Abstract
Hits the Gu literature before the 70's second local controversy, the literature faces is together responds the colony Taiwan realistic situation the realism (realism) literature.But its literature spirit besides opposes the Han nationality tradition feudalism system, rich initiation populace's mission, also has revealed the colonizer suddenly with by the colonizer between not the equal relations, as well as the colonizer in carries on in the modernization and the industrialization process, to by colonizer agriculture society's injuring.This stress literature “the society responded” the realism (realism) literature is under the Japan colonial rule mainstream of the Taiwan new-vernacular literature, and has established tradition of the solid revolt might, the initiation populace, for Taiwan literature setting up model.
Beforehand person printing method, the writing, the vocabulary little use the classical Chinese literature, the writings in classical style are also practical, “the book same text, Che Tonggui” the unification writing, the literature direction, easy to achieve the political consensus, the education next generation, but this kind of analysis and synthesis phenomenon must taking advantage of the multicultural criticize.Beats a drum the practical literature, the literature characteristic in the emphasis objective spirit, emphasized the literature must with the reality union, respond the native place realizes, the implication critique significance, grips tightly the time and society's information.
The first chapter introduction hits Gu's research motive and the research goal, the literature review and the research results, the research technique and the research scope, the research results and the estimate in showing.The present paper research motive is because the regional literature controversy, causes hits the Gu literature to receive takes; But in beats a drum five mountains also to comply with under a historical trend, is in command in the political economic policy, does the regional literature development local culture, how cause it to unfold preserves, is precisely this article key point.
Second chapter is beats a drum the mountainous region area realism writer biography introduction and the contribution, deeply loves Gaoxiong's writers, leads the field eventually in Gaoxiong's history of literature.Third, four, five chapters analyze discuss two world wars to beat a drum the mountainous region area novel to the present, the poem, the prose practical writer style and the skillful technique.The sixth chapter description beats a drum the mountainous region area practical literature characteristic.The seventh chapter conclusion summary hits the Gu practical literature gradualness, how is preserved in the literature development by studies for the posterity, and the contribution which produces to the 80's multicultural.

並列關鍵字

Firewood mountain principle ； practical concept ； realism ； practical literature ； modernism ； practical literature writer

參考文獻

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