室內設計之完形心理視覺構成架構研究

室內設計它是以人為立足點的空間藝術，而每個藝術所造就的形式與精神，經過時間和空間的試鍊，都會為後人所紀錄而成為歷史。藝術其實是一含有心智活動的事物，它包括了事物的形式與精神。完形理論是以整體性來解釋個體的行為，其包含的圖形與背景、接近性和連續性、完整和閉合傾向、相似性、轉換律等定律，在運用於室內設計的分析視覺構成上，本研究發現，完形學說是已經存在於室內設計的藝術創作過程之中，並且它具備了相當深入的系統性原則。同時，大眾對於看待室內設計的視覺構成美學，尚有質感、燈光、造型、色彩四項因子，以上所述，即為整體性的完形分析法則與規範。本研究嘗試以完形理論來說明室內設計的完形心理視覺構成，並期望能掌握其完形心理學的原則，來分析室內設計的空間美學，以達到建構室內設計之完形心理視覺構成架構的研究目的。

關鍵字

室內設計；完形；視覺構成

並列摘要

Interior Design is a spatial art based on human as the standpoint. Each form and spirit created by art, carved through time and space, will be part of the history recorded by future generations. Art, a thing with mind activities, includes forms and spirits of things. Gestalt’s Laws explain individual activities by their entirety, and it includes graphics and backgrounds, approaches and successions, and laws of completeness and close trend, resemblance, and laws of transfer, all of which are used in visual constitute analysis of interior design. In this study, it is found that Gestalt’s Laws have existed in the art creating progress of interior design. It is also found that Gestalt’s Laws have quite in-depth systematic principles. Meanwhile, there are four elements for the public to survey the visual constitute aesthetics of interior design. They are quality, lighting, style and color, which are the Gestalt’s Laws and Rules of entirety. This study attempts to explain the constitute of visual framework of interior design from Gestalt’s Laws of Visual Perception and further master the Gestalt’s Laws of Visual Perception to analyze the spatial aesthetics of interior design. Thus, the purpose of establishing visual framework for interior design from Gestalt’s Laws of Visual Perception will be achieved.