西遊記《三調芭蕉扇》水墨繪本創作

繪本是由一種具像的圖像符號與文字符號相互影響與融合的綜合體,能突破時間與空間的限制,同時彌補文字傳達之抽象性。透過繪本中的角色描寫與故事鋪陳,藉此與閱讀者產生經驗共鳴, 並有助於情緒宣洩及偏差行為的導正。運用手繪的方式,更能呈現出藝術性美感及細膩的描寫,在創作形式上,圖畫書由內到外,如線條、形狀、質感、空間等,以符合美的形式原則來安排畫面,使其達到整體感,在文本的故事內容上,排除過於強烈或負面的內容,而造成誤導或模糊焦點,主要是以簡明扼要又能增加視覺趣味活潑性的角色或內容,呈現正面又具教育意義之意象。利用探討相關繪本,如:熊亮《屠龍族》、葉羽桐《小貓》、梁培龍《紅蜻蜓與綠蜻蜓》, 以及繪本相關價值與意義,進行現代水墨研究,了解其時代演進及特質,運用現代水墨進行繪本創作。

關鍵字

兒童；藝術；水墨；繪本

並列摘要

Picture books are a complex of the interaction of image symbols and letter symbols which can break through the restrictions of time and space and convey the abstract of written words at the same time. Readers reflect on their own experiences through the arrangement of roles and the story and help them vent emotions and correct deviant behavior. The use of autographic pictures better shows artistic beauty and delicate descriptions. On creative form, the lines, shapes, texture and space of pictures are arranged to conform with the principles of aesthetics in the picture book. On story contents, some contents that are too strong or negative are excluded to avert misleading or blur focus. Instead, contents or roles that are simple and clear which can increase visual interests are used to show positive and educational meanings. The study makes a research on value and significance of picture books and modern ink painting through discussions of related picture books such as Xiong "Dragon family ", Xiao Mao : " The Legend of Lin Xiaomao ", Liangpei Long red Dragonfly green Dragonfly. "With understanding the evolution and features of picture books, we create picture books by modern ink painting.