戰國銅鏡紋飾應用於袋包之圖案設計與研究

Research of Bronze Mirrors Ornamentation in Warring States Period and the Application on Bag

黃竣群(C. C. Huang) ； 古德興(T. H. Ku) ； 翁能嬌(N. C. Weng)

《紡織綜合研究期刊》 27卷3期 (2017/07) Pp. 23-28

https://doi.org/10.6439/TTRJ.201707_27(3).0002

摘要

近幾年流行服飾與袋包上流行圖騰紋飾，賦予創新性的時尚與文化意涵的結合。而中華文化中更是附有悠久的文明與歷史，其紋飾符號從幾何造型到寫實圖騰在器物上更為繁多。而器物上的圖案更代表著不同的時代背景、文化習俗、工藝條件等。研究中以銅鏡作為研究主軸，因銅鏡的歷史淵遠及器物保存最為完整。從齊家文化開始就有銅鏡的存在，沿用到清代中晚期後，因西方玻璃鏡的傳入而漸漸減少。銅鏡在歷史上主要為戰國、漢朝、唐朝。戰國銅鏡紋飾大致可分為幾何、動物紋、植物紋、人物紋四大類。

關鍵字

銅鏡 ； 紋飾 ； 袋包

並列摘要

In recent years, the totem ornamentation on applying to fashion apparel and bag package, endowed it with an innovative combination of fashion and cultural meaning. Chinese culture has a long history, more ornamentation symbols from geometric modeling to realistic totem on the utensils. On the utensil pattern represent different background characteristic of times, cultures and customs, process conditions etc. In this study, we research to bronze mirrors, because the bronze mirrors had a long history and the best preserved utensils. The bronze mirrors begin to Qijia culture, to follow in the late Qing Dynasty, Because of the introduction of Western glass mirrors and bronze mirrors gradually reduce. Bronze mirrors in the history of Warring States, Kingdoms Han and Tang Warring States periods, Ornamentation on bronze mirrors from the Warring States period can be divided into the four categories of geometric shapes, animals, plants, and people.

並列關鍵字

Bronze mirror ； decoration ； bags