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延伸閱讀
- 劉君燦（1985）。由不連續到連續；類比的再擴充－對孔恩(T. Kuhn)知識典範論的探討。鵝湖月刊，(124)，7-18。https://doi.org/10.29652/LM.198510.0003
- 楊忠斌（2015）。Piaget「基模」理論的哲學基礎－從Kant到Hegel。教育科學期刊，14(1)，1-17。https://www.airitilibrary.com/Article/Detail?DocID=16808444-201506-201511230022-201511230022-1-17
- Chan, S. S. (2010). 性別即興表演：析讀畢特勒的《成象》. SPECTRUM ： NCUE Studies in Language, Literature, Translation, (6), 21-33. https://doi.org/10.29601/YYWYLL.201001.0002
- 林乃文（2015）。「隱喻」已老 不再莽撞的史詩悲劇 評金枝演社《祭特洛伊》。PAR表演藝術雜誌，(275)，92-93。https://www.airitilibrary.com/Article/Detail?DocID=10213139-201511-201511180032-201511180032-92-93
- 菲利浦‧杜魯、洪筱婷、洪世謙（2018）。交鋒「哲學讚詞」：阿蘭‧巴迪烏與羅杭‧約福漢對話。中外文學，47(3)，253-263。https://doi.org/10.6637/CWLQ.201809_47(3).0009