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延安的詩歌陷阱(1938-1949)

Poetry Trap in Yan'an (1938-1949)

摘要


延安作為中共革命聖地,在政治史上有其不可忽視的地位,在詩歌史的建構和斷代方面,同樣扮演著非常吃重的角色。本文透過何其芳、卞之琳、田間、賀敬之、郭小川、艾青等幾位不同身分、詩學背景和來歷的詩人,在進入延安之後所產生的風格變化,以探討「延安整風」和「延安講話」對詩解放區歌創作的致命性影響。此外,為了進行有效的對照,本文適度借用小說軍蕭軍的人格特質,協助部分現象與議題的詮釋。

關鍵字

毛澤東 延安 講話 工農兵 詩歌

並列摘要


Besides a very important status in the history of politics, as a sacred place of the Chinese Communist Party, Yan'an plays a very critical role in the construction and eradication of the history of poetry. A lot of poets as He Qifang, Bian Zhilin, Tian Jian, He Jingzhi, Guo Xiaochuan, Ai Qing and etc. who had different identities and different poetic backgrounds changed their styles of works after they entered Yan'an. By analyzing these style changes, this article shall explore how "Yan'an Rectification" and "Yan'an Speech" caused fatal influence on poetry creation in liberated areas. In order to make effective comparisons, this article moderately borrows the personality traits of a novelist named Xiao Jun to help explain some of the phenomena and issues.

參考文獻


(1950)。中華全國文學藝術工作者代表大會紀念文集。北京:新華書店。
卞之琳,《慰勞信集》,昆明,明日,1940 年。
毛澤東(1975)。在延安文藝座談會上的講話。北京:人民。
田間(1950)。抗戰詩抄。北京:新華書店。
田間(1978)。給戰鬥者。北京:人民文學。

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