清潔的文本，純淨的革命情愛？－論《青春之歌》中的身體書寫與情欲潛流

楊沫（1914－1995）的《青春之歌》是十七年紅色文本裡頗具代表性的長篇，全書藉由余永澤、盧嘉川、江華幾名男性與主角林道靜之間的情愛糾葛、革命話語表述，以及林道靜在勞動民眾間接受鍛鍊的歷程，敘述其如何逐步成長為共產主義社會「新人」。本文首先分析《青春之歌》如何將「身體」經驗與「革命」轉向相結合，以凸顯其思想正確性，相關的革命文藝模式化身體書寫，也將有所討論。其次經由版本的修訂過程，探討知識青年在小說中如何被改敘；血統論、獻祭觀、贖罪說以及傳承使命等，又如何展現在「新人」的形塑過程裡，以完成宣導國族情感的目的。最後則針對「革命加戀愛」模式，剖析革命與情愛之間的糾纏與情感罅隙。本文希望在「清潔」的十七年小說中，指認並重新發掘其所透顯的身體觀，並指出文本與1920年代末以來「革命加戀愛」小說表述模式的差異性，以為之後深究新時期小說中「革命加戀愛」類型變貌之張本。

關鍵字

《青春之歌》；十七年小說；新人；身體；革命加戀愛

並列摘要

Yang Mo's (1914-1995) The Song of the Youth is a representative work in the Classic Red of Seventy Year Literature. The book shows how the protagonist, Lin Daojing, grows into a ＂new man＂ in the communist society through her love disputes and revolution career with Yu Yongze, Lu Jiachuan, Jiang Hua, as well as her training process in the working people. This paper first analyzes how The Song of the Youth combines the experience of ＂body＂ with the change of ＂revolution＂ to highlight the correctness of its thinking. The description of the revolutionary literary model is also examined. Secondly, through the revision process of the version, the paper discusses how the intellectuals are narrated in the novel, and how descent theory, sacrifice view, atonement doctrine and inheritance mission are displayed in the formation process of a ＂new man＂ to achieve the purpose of promoting national sentiment. Finally, the paper analyzes the entanglement between revolution and love in the mode of ＂revolution plus love＂. The paper intends to explore the manifestation of ＂revolution plus love＂ and the body view in the ＂clean＂ Seventy Year Novel, pointing out that the body is therefore exhausted, or to explore the possibility of re-excavating other possible body and desire writing within the text.