敦煌文獻P.2324《難陀出家緣起(擬)》是以講唱體形式書寫的文獻之一。本文擬從寫本的書寫方法這一新的視角,著眼於墨跡和書寫特徵,以及紙張的使用方法,來探討講唱體文獻與講經的關係。筆者首先考察P.2324《難陀出家緣起(擬)》寫本的形成過程。特別是,圍繞寫本前端的斷裂痕跡與墨的濃淡進行考察。接下來,從字句的訂正與加筆、新的紙張特徵來考察P.2324《難陀出家緣起(擬)》與講經的密切關係。另外,透過分析難陀出家故事的容,指出其與十世紀流傳的各種敦煌文獻(以出家為主題的故事、《佛說十王經》、目連故事、念佛思想等)共通的內容。最後,擬從寫在Verso上的內容、字體以及墨的濃淡等寫本特徵,來探討當時僧侶與在俗信者的密切關係。綜合以上對寫本及其故事內容的分析,筆者將以《難陀出家緣起(擬)》為考察對象,討論講唱體文獻與講經的關係。
P.2324 Nantuo Chujia Yuanqi is one of Dunhuang manuscripts written in the prosimetric form. This article discusses the relationship between Dunhuang manuscripts and Buddhism sutra expounding through P.2324 Nantuo Chujia Yuanqi. First, this paper examines how P.2324 Nantuo Chujia Yuanqi was written and used from the point of ink, paper, and re-writing. The manuscript also has many characteristics same with other 10^(th)-century manuscripts from Dunhuang, which help us to understand how they were used for Buddhism sutra expounding. Lastly, there is a short story written on the verso. Although it has no direct relationship with the recto Nantuo Chujia Yuanqi, the content and its handwriting will show the connection between monks and people in Dunhuang.
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