論「罔兩問景」之性別理論：兼以陳雪〈異色之屋〉為討論個案

The Gender Theory of ＂Two Questions ＂: Discussing Individual Cases with Chen Xue's House of Different Color

蔡知臻(Tsai Chih-chen)

《東吳中文線上學術論文》 50期 (2020/06) Pp. 1-15

摘要

莊子的寓言故事「罔兩問景」揭示的是邊緣對主體的探問與發聲，讓極容易被忽略的「罔兩」能夠在模糊與消亡間堅持對「景」提出自己的疑惑並尋求解答，如此一來，罔兩的主體便能夠被看見並找到其位置。當代性別研究者將此寓言中對於主流結構發聲的詮釋，放置於同性戀族群對現今異性戀主流社會的框架當中，給予性別研究另一種理論的支援與嘗試。本文以陳雪小說〈異色之屋〉為理論的實踐個案，且將指出，「罔兩問景」性別理論是思想與性別研究之間可行的一座橋梁，它不僅給了性別理論「東方視野」，更讓同志文學的閱讀策略多開一條新路，然小說〈異色之屋〉在「反含蓄」美學表現上大量使用性愛情節與感官書寫，並以「自殺」作為極端反含蓄的策略；而含蓄策略雖少，但在文本敘述上的對話、言談，還是能夠發現其中的規訓力道。

關鍵字

莊子 ； 罔兩問景 ； 性別研究 ； 陳雪 ； 含蓄美學

並列摘要

Zhuangzi's fable ＂Two Questions＂ reveals the edge of the subject's inquiry and sound, so that the extremely easy to be ignored between the ＂two＂ can insist on the ＂view＂ between the blur and the death of their own doubts and seek answers, so that the two subjects can be seen and find their place. Contemporary gender researchers place this fable's interpretation of the mainstream structure in the framework of the gay community's view of today's heterosexual mainstream society, giving gender research another theory of support and attempt. This paper takes Chen Xue's novel's ＂House of Color＂ as a practical case of theory, and will point out that the gender theory of ＂two questions＂ is a feasible bridge between thought and gender research, which not only gives the gender theory ＂Oriental Vision＂ but also makes the reading strategy of gay literature more open. A new way, but the novel's ＂anti-subtle＂ aesthetic performance of a large number of use of sexual plot and sensory writing, and ＂suicide＂ as an extreme anti-subtle strategy; Or be able to find the discipline in it.

並列關鍵字

Zhuang zi ； Ask the scene twice ； Gender studies ； Chen Xue ； Implicit Aesthetics