身份位移與音樂文化轉型：以臺灣禪和派的發展為例

Displacement of Identity and Transformation of Music Cultural: The Case of the Development of Chanhe Taoist School in Taiwan

袁野璐(Yuan, Ye-Lu)

《南藝學報》 19期 (2019/12) Pp. 23-41

摘要

禪和派是二戰以後傳入臺灣並發展而成的道教派別，最初以一種名為「斗堂」的文娛性宗教組織形式存在，受到戰後臺灣複雜的政治經濟環境的影響，不斷發展變化，最終形成職業性道教組織，並以道經團的方式進行活動。禪和派轉型的主要原因在於成員社會身份和文化身份的雙重位移，這也導致了伴隨著儀式而存在的禪和派音樂文化的轉型。本文以禪和派在臺灣的發展為例，探討社會環境、人員身份與音樂文化三者之間的關係。

關鍵字

身份位移 ； 音樂文化轉型 ； 禪和派 ； 道教音樂 ； 臺灣

並列摘要

Chanhe is a Taoist school that was introduced into Taiwan after World War II. It originally existed as an entertaining religious form called Doutang and continued changing and developing under the circumstance of complex politics and economy in Taiwan. Eventually, it becomes a professional Taoist community, which organizes activities through Taoist chanting Groups. Chanhe was transforming due to its group members' double displacements of social and cultural identities, which leads to the transformation of musical culture of Chanhe that was accompanied with rituals. This paper takes the development of Chanhe Taoist School in Taiwan as an example, to explore the interrelationship among social environment, identity and musical culture.

並列關鍵字

Displacement of identity ； Transformation of musical culture ； Chanhe School ； Taoist music ； Taiwan