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「能動文本」的「互動機制與批判意義」:與布萊希特「間離法」的理論對話

Application of Bertolt Brecht's Alienation Theory to Digital Interactive Articles and Critical Meaning

摘要


本文探討「能動文本」中因互動機制所展現的批判性意義給出。從互動機制在技術面的發展趨勢為出發點,往下論述互動機制與敘事性的文本理論關係,最後論及互動機制媒材本身的「程式慣例化」文本特質所能展現出的「間離效果」。本文以布萊希特戲劇理論所提出的「間離法」為理論參照,論述能動文本因互動機制所特有的「程式慣例化」之文本運作方式,以及因之可以帶出的文本批判性意義呈現模式。

並列摘要


This paper focuses on the form and critical meaning of digital interactive articles. Digital interactive articles can be seen on the most widely-viewed professional news websites. With regard to such articles, this paper discusses technological issues, means of presenting narrative meaning, and the ability to demonstrate the alienation of text. The alienation theory of Bertolt Brecht is used in discussing how digital interactive articles can show how to "alienate" text. This paper proposes that, when in use, interactive digital articles may be able to show critical meaning. Therefore, it is argued that a writer, when writing a digital interactive article, should consider form as well as content. It is emphasized that different ways of showing interactive content could raise the consciousness of audiences to understand uncertainty regarding the meaning of articles, leading to meaningful understanding of possible historical social changes.

參考文獻


天下雜誌(2013)。〈我買了國家公園?〉。取自http://topic.cw.com.tw/2013nationalpark/pc.aspx
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Benjamin, W.(2003).Understanding Brecht.London, UK:Verso.
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