Xu Fuguan's identity as a member of the New Confucianism circle has often led some to overlook the intention of his writing. In the1960s and 1970s, Xu Fuguan came to clashes, more explicitly in some cases than others, with scholars of the schools of textual criticism and metaphysics. Through an investigation in academic history, this paper will show that Xu's conflicts with his contemporaries not onlyarise from their differences in their scholarship, but also implicitly points to a Xu’s return to a classical way of thinking that takes history as its mainstay. Xu’s criticism of Lu Shixian, Qu Wanli, Qian Mu and others is mainly aimed at the tendency of excessive deduction and over-generalization of an objective and microscopic kind of historical research. His criticism of Tang Junyi, Mou Zongsan, Xiong Shili and others is, on the other hand, mainly aimed at their re-interpretation of the metaphysics classics and a dearth in their effort at exegesis. In this way, Xu Fuguan accepts the achievements of modern historiography, presenting the history of Confucian classics through the method of historical contextualism, while highlighting an intellectual’s sense of concern for his times. Xu’s purpose is to return to the essence of classical studies that has at its core an orientation towards the study of statecraft.