以國際圖像互通架構為方法的佛教石窟與圖像之數位呈現、閱覽及標註

本研究運用國際圖像互通架構為理論基礎與技術規範，以佛教石窟與圖像為案例，探討數位人文研究中的圖像材料之使用與互通。首先，探索學者研究需求，並以「圖像的空間結構」及「圖像的分析研究」功能為主；其次，運用圖像、展示、搜尋及驗證等技術規範進行研究實作。本研究結果包括：一、提供檢視圖像細部內容，作為圖像研究的基礎；二、運用「展示規範」以結構化的方式整合零散的圖像資源，提供研究者掌握佛教藝術遺跡的空間結構、作品內圖像的空間相對位置、保持作品完整的脈絡資訊；三、發展標註分類模型，提供學者在研究過程記錄圖像所見特徵，甚至交換、分享、多人共同標記；四、可與各國研究與典藏機構交換研究材料；五、以「驗證規範」管理圖像的使用權限，在保護研究材料之際，並讓圖像易於分享及取得。

關鍵字

國際圖像互通架構；佛教藝術；佛教石窟與圖像；數位人文學

並列摘要

The study aims to demonstrate how the International Image Interoperability Framework (IIIF) can be used and enhanced the use and interoperability of Buddhist art images during digital humanities research. First, it sketches out the requirements of the given field with a particular attention to the spatial structure of image and the analytical research of image. Second, it presents the image platform to drive visual-oriented research in digital humanities by drawing on four sets of the application programming interface (API) provided by the IIIF, including Image, Presentation, Content Search, and Authentication. The result are as follows: (1) the Image API provides scholars closer look at every detail of the images, which are the basis of iconography. (2) A structural display of visual data, in terms of their spatial distribution and the relative location among a group of artworks belonging to the same locale, such that the contextual information remains un-fragmented. (3) A model for annotation and categorization is developed to enable study focusing on a specific subject. (4) Inter-exchangeability of research materials among archives and institutes from different countries. (5) An authentication mechanism is set up to manage the access to materials owned by different teams.

並列關鍵字

International Image Interoperability Framework (IIIF) ； Buddhist art ； Buddhist caves and images ； digital humanities

參考文獻

代學明（2010）。須彌山石窟及其價值。絲綢之路，2010(20)，16-17。doi:10.3969/j.issn.1005-3115.2010.20.005

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Bizer, C., Heath, T., & Berners-Lee, T. (2011). Linked data: The story so far. In A. Sheth (Ed.), Semantic services, interoperability and web applications: Emerging concepts (Chap. 8, pp. 205-227). Hershey, PA: IGI Global. doi:10.4018/978-1-60960-593-3.ch008

Emanuel, J. P. (2018). Stitching together technology for the digital humanities with the International Image Interoperability Framework (IIIF). In R. Kear & K. Joranson (Eds.), Digital humanities, libraries, and partnerships: A critical examination of labor, networks, and community (Chap. 9, pp. 125-135). Cambridge, UK: Chandos. doi:10.1016/B978-0-08-102023-4.00009-4

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以國際圖像互通架構為方法的佛教石窟與圖像之數位呈現、閱覽及標註

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