塑造室內空間印象之設計研究

Design Study of Shaping Impressed In Terior Spaces

許清松(kenneth hsu)

指導教授 ： 張謙允

中原大學/設計學院/室內設計研究所/碩士(2015年)

https://doi.org/10.6840/cycu201500140

摘要

摘要
塑造，是一種架構、一種氛圍；深刻，是一種聚焦、一種感動；印象，是一種體認、一種聯想。從印象中裏去找尋自己的記憶，很多事物可能是自己碰過的、自己去了解的；當你有所知的時候，可能是當時讓你有感動或腦海曾經有過的一種情景，也許就是深刻的記憶的初衷吧。不管品牌的塑造或自己的喜歡，都要經過經累積的經驗，及每個階段的認知。認知包括個人獲得知識的所有過程，其中包括理解、思考、記憶、驚奇、想像、歸納、及判斷，（胡幼慧，1999）。加上專業設計人的素養及他的經驗，只要加上兩人以上的經驗值，一定會有不同的情境或空間的變化，或許印象是多人給的，也有可能是自己的體認。
所以說，居住者對於室內空間的印象，影響著認知價值，空間透過設計，往往給予感官最直接的印象要屬視覺上的感知，藉由使用顏色、造型比例、建材特色，演繹出其完整的主題精神。印象深刻的設計，可以迅速引起居住者的認同與好感，同時提升其對於生活品味的定位與看法，替空間創造出更豐富而優質的價值性。
過去從室內設計中探究塑造深刻印象，往往可以從設計創意衍生的風格，引述相關的語彙元件，得見空間主題精神，包括現代、古典、美式、自然休閒風或混搭風格；然而時至今日，居住者對於生活目的，大都是主觀的或自己的認知。反而設計創意逐漸跳脫制式或傳統設限框架，區域性的地域概念也不再保守。可以說有居住者需求與專業設計人的策劃，個性喜好作為設計主題的發想，因坪數上的限制，摒除場域上明顯的劃分，機能多以複式方式規劃，符合多元性的生活需求，風格定義漸趨式微，取而代之的便是「自然、光線、人文、氛圍、裝置、裝飾、藝術、美學、陳列、建材等因素」，所引申出來的深刻印象。

關鍵字

自然主義 ； 空間印象 ； 室內設計 ； 人文美學 ； 主題精神

並列摘要

Abstract
Shaping is a kind of structure and phenomenon; profundity is a focus and an emotion; impression is a kind of realization and association. When searching for personal memories through impression, people may realize that they experience and understand many things by themselves. When you had certain perception, it could be a circumstance which touched you or once occurred to you in your mind. Maybe, it was the original intention of profound memories. Either brand shaping or personal preferences needs the accumulated experiences and perception at each stage. Perception refers to every process which individuals have gone through in acquiring knowledge, including understanding, thinking, memories, amazement, imagination, conclusion, judgment (Hu, Yu-Hui, 1999). The addition of cultivation of professional designers and experiences from more than two designers will definitely create different circumstances or spacial changes. Perhaps impression comes from many people or personal realization.
Thus, impression on interior space held by residents influences cognitive values. Through design, space often demonstrates the most direct impression, which belongs to the visual perception; the design deduces the complete theme spirit by colors, proportion of shapes, and features of building materials. The impressive design may quickly attract residents’ identification and good impression as well as improve their positions and thoughts on tastes, creating more abundant and premium values.
In the past, when exploring the shaping of profound impression in the interior design, people often quoted relevant terms of styles derived from design creativity to understand the theme spirit of space, including modern, classic, American, casual or mixed styles; however, nowadays, residents have held subjective attitude toward or personal perception of their purposes of life. Instead, design creativity has gradually deviated from formal or traditional frameworks, and the concept of regionalism has no longer been conservative. Based on the demands of residents and planning of professional designers, the theme was conceived through personal preferences; due to limitation of spacial area (ping), a multi-functional design was planned to remove the significant spacial divisions and conform to diversified lifestyles. The definition of styles has become weak, and the impressive images derived from “nature, light, humanity, atmosphere, device, decoration, art, aesthetics, display, and building materials” have taken its place.

並列關鍵字

Humanistic aesthetics ； Naturalism ； Spatial impression ； Theme spirit ； Interior design

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