意識的表述形式：葉覓覓詩集《越車越遠》中的「自我」表述

The Form of Consciousness Description: The Description of Self in Mi-Mi Yeah's Poetry "Heading Faraway Places"

劉益州(Yi-Zhou Liu)

《臺灣詩學學刊》 17期 (2011/07) Pp. 31-54

https://doi.org/10.29813/TP.201107.0002

摘要

葉覓覓詩集《越車越遠》充分利用詩集的每一部份詮釋作者本身意識的展開。語言文字是意識得以展開的重要關鍵，但葉覓覓意欲透過語言文字將自我對現實的意識呈現出來藉以澄明其自我意識表述的特質；跳脫出現實邏輯與文字的結構性，以斷裂的敘述與超現實的隱喻開展自我在現實生活中的意識，換言之，葉覓覓刻意打碎詩中符號與符號間原有的結構形式，創造一種屬於她自己的語言形式來呈現屬於她自己的語言，她自己的意識表述形式。本論文即欲從《越車越遠》中對「我」意識表述的書寫來探究葉覓覓的自我意識如何在意向表述活動中開展。

關鍵字

葉覓覓 ； 越車越遠 ； 表述 ； 意向

並列摘要

Mi-Mi Yeah made the most of her poetry Heading Faraway Places to present her own consciousness. Generally speaking, the key to presentation consciousness was the words and language, but Mi-Mi Yeah used words and language to present what she held in mind for the reality in order to clear the features of self consciousness description. Instead of framing by the constructive logic and words, she used broken description and metaphors ultra reality to present her consciousness in the real life. In other words, Mi-Mi Yeah broke the construction between symbols of poetry in order to create her own language form to present her own language and her own style of consciousness description. This study discuss how Mi-Mi Yeah's self consciousness presented in the consciousness activities via words described self consciousness in ”Heading Faraway Places”.

並列關鍵字

Mi-Mi Yeah ； "Heading Faraway Places" ； description ； intentionality

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