香品文創設計創作：以熏逸閣香品設計為例

Cultural Creativity Design of Insence : Taking Syun Yi Ge Incense as an Example

陳泓霖(Hung-Lin Chen)

指導教授 ： 朱嘉樺

中原大學/設計學院/商業設計研究所/碩士(2012年)

https://doi.org/10.6840/cycu201200744

摘要

品香文化是中華文化的一個重要部分，「香」自古是我們生活的必需品，伴隨社會經濟文化的進一步繁榮，中國香文化也煥發蓬勃的生機，在現代社會繼續流傳。台灣香品產業近年來逐漸發展蓬勃，使得香品設計遂成為值得關注的重要項目。
筆者在文獻探討章節中，首先就香品文化的演進，整理中華香文化自漢代以來的香事發展，並進一步了解香具在各時期的演變。同時整理世界香水文化的發展，進一步探討西方用香行為的演進。再從現代香品設計的角度切入，列舉台灣、日本與法國之市售品牌香品設計作為案例分析。並綜合比較上述文獻與分析的結果，作為本創作之參考，期盼能在現代人越來越重視文化的環境之下，設計出新型態之香品，並希望能提供相關工作者在未來設計上之參考。
設計創作上，本創作者希望能將東方品香文化結合西方的香產品，內容選定中華品香文化流傳至今的線香、錐香與環香等代表東方的香品，結合現代生活中廣泛使用的室內香水與熏香包等代表西方的香產品，加以現代風格的設計手法結合為香品禮盒的形式，成為新型態之現代香品，以增進香文化在現代生活的推廣。

關鍵字

品香文化 ； 香品 ； 文創

並列摘要

Incense Use Culture is an essential part of Chinese culture. Since ancient times, incense has served as a daily necessity in our lives and with the flourishing and prosperous of society and economy, this Chinese incense culture not only develops vigorously, but also hands down continuously in our modern society. Besides, in recent years the incense industry in Taiwan is growing and spreading increasingly; this development draws much attention to the design of incense.
In the bibliography chapter, at first the author organized the development of Chinese incense culture from Han dynasty based on the evolution of incense use culture and further introduced the variation of incense in every time period. In addition, the author also arranged the worldwide development of incense to examine the western use of incense. According to the modern design of incense, the author took those incense designs from current sale brands of Taiwan, Japan and France as examples to make analysis, while at the same time he made this paper work based on the results, integrated and compared of the bibliography and analysis mentioned above. Furthermore the author expected that he can create novel incense combinations under the circumstances that people pay more attention to culture and hoped that this work can provide reference materials for those who participate in design work.
In design creation, the author desired to combine the eastern incense use culture with the western incense products. The selections, representing eastern incense, would include incense sticks, incense cone and incense coil that are passed down from ancient Chinese incense culture and for the eastern incense products would be indoor perfume and incense bag that are extensively used in contemporary lives. The author not only connected the two diversified incenses, but also added modern design style to present it as an incense gift package. This creation would be original modern incense as well as an enhancement of the popularization of incense culture in our contemporary lives.

並列關鍵字

Incense Use Culture ； incense ； cultural originality

參考文獻

2. 翟玉雯，2006，《中華香文化協會視覺設計創作》，中原大學，碩士論文。

1. 廖浿晴，2005，敦煌香藥方與唐代香文化，《敦煌學》，第二十六輯，頁191-214。

書籍

1. 劉良佑，2003，《香學會典》，台北市：東方香學研究會。

2. 傅京亮，2008，《中國香文化》，濟南：齊魯書社。