The world has now entered the era of abundant images. Movie industry has thrived especially in our neighboring countries, such as China, Japan, Korea, and each one of them develops their cultural creativities to the maximum. With our vast accumulation of culture, it becomes imperative to share with the world the fruits of the cultural implantation as well as the levering encouragement of our soft power. France is a gigantic country in the domain of movie and television, with the third largest market share of movies in the world. This article will attempt to examine two semi-governmental intermediate organizations: National Center of Cinema in France and National Center of Cinema in Taiwan, in regard of the set up base, size of organization, roles and missions, source of funding, mode of operation, in order to do the comparisons and analysis. I hope to collect the data and find out the strengths and weaknesses so as to make our center of cinema more sound and complete in organizational and structural level. Therefore, not only could the organization operate to its full potential and consequently boost our movie industry, but also reach the level of influential soft power as France on the global platform.