《莊子》禮樂觀的思維特徵

孔子在中國哲學史上有重要的意義，這是由於他面對「周文疲弊」的情況，採取了「仁禮共構」式的處理，並轉而將禮樂作為教材，「興於詩，立於禮，成於樂」而達成君子賢聖的理想。《莊子》是另一種面對「周文疲弊」的典型，本文旨在探索《莊子》面對禮樂文明的思維方式，透過置入更大的觀察背景，對禮樂產生否定與肯定雙層視角，而實際上重新定義了禮樂。這種思維方式並不專為思考禮樂價值問題而發，乃是《莊子》思想與表達的特徵之一。

關鍵字

周文疲弊；禮樂觀；莊子；禮意；思維特徵

並列摘要

Confucius is of great significance in the history of Chinese philosophy, this is because he confronted with the situation of the collapse of Zhou Dynasty culture, adopted the treatment of the co-construction of "Ren" and "Ritual", "prosper with poems, stand with manners, accomplish with music" and achieve the ideal of a gentleman and a sage. "Zhuangzi" is another type of facing the collapse of Zhou Dynasty culture, this paper aim to explore Zhuangzi's way of thinking about rite and music civilization, by placing a larger observation background so that creates a dual perspective of negation and affirmation of rite and music, and actually redefine rite and music. This characteristic of thinking is not specifically developed for explore the value of rite and music, but is one of the characteristics of Zhuangzi's thought and expression.