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《半生緣》之美感觀照

The Aesthetic of Eighteen Spring

摘要


在張愛玲許多出色的短篇小說相較之下,《半生緣》可說是張氏作品中少見的長篇佳構。全書瀰漫著哀傷綺婉的情調,美得懾人心魄。本文旨在探討《半生緣》一書之美感觀照,先分析書中幾段僅有「半生」的緣分形成之因,再由王國維及亞里士多德的審美觀點和悲劇理論去解讀全書,並提出張氏特有之蒼涼美學,一窺《半生緣》美感之發散。

關鍵字

半生緣 張愛玲 悲劇 審美

並列摘要


Compared with many of Eileen Chang's distinguished short novels, Eighteen Springs is a rare long masterpiece of her works. The entire story is filled with a melancholy atmosphere, which is also so beautifully written that it will take away readers' breath. The study aims to discuss the aesthetic involved in the story. Within the first few paragraphs, the cause of the fate that only lasted half a life is revealed. In the following parts, the story is then deciphered by Wang Guo-wei and Aristotle's aesthetic perceptions and theories of tragedy. In the long run, it is topped off with Chang's particular aesthetic of desolation.

並列關鍵字

Eighteen Springs Eileen Chang tragedy aesthetic

參考文獻


王拓(1976)。張愛玲與宋江。臺中:藍燈出版社。
清王國維、徐調孚校注(2001)。校注人間詞話。臺北:頂淵文化。
清王國維(1968)。王觀堂先生全集。臺北:文華出版公司。
王德威(1993)。小說中國─晚清到當代的中文小說。臺北:麥田出版社。
水晶(1970)。拋磚記。臺北:三民出版社。

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