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臺灣「重寫文學史」思潮背景下陳芳明的《台灣新文學史》寫作

On Chen Fangming's A History of Modern Taiwanese Literature under the Trend of "Re-writing the Literature History"

摘要


臺灣「重寫文學史」思潮自「解嚴」前後伊始,受文化政治意識、史料開掘等思想文化因素的推動,至今仍眾聲喧嘩。基於陳芳明對此思想語境的接受與啓發,其「重寫」文學史的書寫實踐呈現出在地色彩鮮明等特徵,並存在入史標準曖昧等方面的遮蔽之處。由此可見,陳芳明《台灣新文學史》一定程度上豐富了臺灣文學史思潮的內涵,同時暗含了無可避免的文學史觀念、編撰結構、以及作品歷史評價等方面的分歧與書寫問題。

並列摘要


The trend of "re-writing of the literature history" began from the period of lifting the post-marital law imposed in Taiwan and was developed because of some ideological and cultural effects. Based on the background of this trend, the author analyzes Chen Fangming's specific practice and writing features, and objectively examines the deficiencies of his writing standards and other aspects. It can be seen that Chen Fangming's A History of Modern Taiwanese Literature enriches the scholarly productions in re-writing Taiwanese literature history, and also implies the inevitable differences and future problems related to the structure of literary history, historical evaluation of literary works, and so on.

參考文獻


朱立立,〈90 年代以來台灣的「多元文化主義」思潮〉,《南方文壇》第1 期,2009 年 1 月。
張帆、朱立立,〈台灣文學史建構中的「世代」敘事〉,《福建論壇.人文社會科學版》第 8 期,2019 年 8 月。
陳芳明,〈朝向一部台灣文學史的建構(下)〉,《文訊》第 398 期,2018年 12 月。
陳芳明,〈新文學史的「新」〉,《文訊》第 227 期,2004 年 9 月。
陳芳明,《台灣新文學史》,臺北:聯經出版社,2011 年。

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