杜甫七律之會通與轉化

Mastery and Transformation of Du Fu's Seven-Word Poems

許清雲(Ching-Yun Hsu)

《東吳中文學報》 26期 (2013/11) Pp. 61-90

摘要

七律是唐代近體詩的土產，也是唐代近體詩的寵兒，更是唐代近體詩的璀璨珍珠。考諸七律的誕生，初唐沈佺期作品，研練精切，已見工密。然盛唐諸大家除王維外，如李白、崔顥、王昌齡、李須、高適、岑參等人，所作不多，風氣未盛。七律詩體之振，當從杜少陵開始。子美雄深浩蕩、疾徐縱橫，允為顛峰，後再有繼者，僅得其一體而已！少陵七律，既用心會通前人創作經驗，又用意轉化成老杜風格特色，璀璨紛呈，百世嘆為觀止。筆者長期閱讀杜工部詩，略有心得，茲以其「會通轉化」技藝為文，就教於學者專家。

關鍵字

杜甫 ； 七律 ； 會通 ； 轉化 ； 集大成

並列摘要

Seven-word poem is a treasured literary style from the Tang Dynasty. In early Tang Dynasty, Shen Quanqi demonstrated the sophistication of seven-word poems in his works. However, during this period, poems by scholars such as Li Bai, Cui Hao, Wang Changling, Li hsu, Gao Shi, and Cen Can were few and not influential.It was not until the arrival of Du Sho-ling did the rise of seven-word poem start. His works were profound and extraordinary, and many writers followed his style. In his seven-word poems, Du Sho-ling mastered the previous scholars' creations and transformed them with his personal style, which is astonishingly impressive.The author has been researching Du Fu's poems and techniques ”mastery and transformation”, and seeks to consult scholars' and experts' opinions.

並列關鍵字

Du Fu ； seven-word poem ； mastery ； transformation ； generalization

參考文獻

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