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華豔與悲哀-論溫庭筠詞中之境

摘要


溫庭筠,中晚唐以來,第一位詩人以全力填詞,在詞調、修飾和意境上,專以華豔的辭藻,含蓄婉轉的手法,描寫閨情離思,花間派大多數詞人受其影響,故稱為「花間鼻祖」。其詞具有華豔風格,善於描寫客觀的景物,以冷靜的觀照,傳達女子幽微之情;亦能引人生託喻的聯想,較《花間集》中一般浮豔淺俗之作,別具深遠合蘊之致。溫庭筠寫盡詞中女主角的期待與悲哀,是否寓有身世之感?及如何化解其悲感?故本文擬從溫庭筠詞,論其詞中之境一華豔與悲哀,且以詩印證,體察其內心世界,及省思生命衝突的根源,並以莊子思理闡述,試提出超越之境。

關鍵字

溫庭筠 花間集 詞中之境 華豔 悲哀 莊子 生命超越

並列摘要


Wen T'ing-yun, born in Tang-dynasty, was the first poet attempting to use splendid linguistic style that female sensory images. He affected Hua-Jian Ji lyric poet. Wen T'ing-yun's Lyric Poetry used women's tums of expressions or onlookers' views. that analyze female emotion and envionment. I attempt to Study of Wen T'ing- yun's Lyric Poetry Transcendence: The Types of Splendid and Lament .Moreover, I propose that we may find the way of transcendence if we understand the life- experience and the other world represented and explored in Jwang Dz. It also helps us to find our place in the earthly world.

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