聲色如何迷人－論沈從文1940年代前後的「色魘」系列文章

《七色魘》為沈從文於1949年1月整理舊文、預備為開明書店出版的集子，然而最終並未付印。集中文章所牽涉的核心議題即對於「抽象」與「現象」的思考，而配合沈從文於1940年代遭遇的政治風暴以及令人費解的瘋狂與自殺來看，箇中深意有待開發；本文試圖以沈從文1930年代末至1940年代的思想為線索，探討在《七色魘》中「色」的意義為何？「魘」的危機又是如何生成？文章主要從「感官摹寫」與「聲色想像」兩方面展開，討論沈從文念茲在茲的「抽象」與「現象」的辯證，如何體現為由「色」（現象）至「魘」（噩夢般的抽象）的意義。

關鍵字

沈從文；七色魘；抽象

並列摘要

Seven Kinds of 'appearance' and 'incubus' was a collection arranged by Shen Cong-Wen in January 1949. At first, Shen Cong-Wen prepared to publish it; however, it was not success in the end because of the Political Persecution which Shen Cong-Wen encountered and Shen Cong-Wen's psychosis in 1949. By the close reading, we can discovery that the pivotal issues of these works were the thinking about 'abstract' and 'concrete'. Therefore, this paper offers a view of exploring the possible relationship between Shen Cong-Wen's 'appearance' and 'incubus' writing and his complicated mental state. In the short, this paper discusses the meaning of 'appearance' and how the 'incubus' came into being in Shen Cong-Wen's writing in the 1940's.

並列關鍵字

Shen Cong-Wen ； Seven Kinds of 'appearance' and 'incubus' ； abstract

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聲色如何迷人－論沈從文1940年代前後的「色魘」系列文章

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