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男張愛玲：論東方蝃蝀〈牡丹花與蒲公英〉與張愛玲〈紅玫瑰與白玫瑰〉的視角差異
Male Eileen Chang: On the Difference in Perspective between DongfangDidong's "Peony and Dandelion" and Eileen Chang's "Red Rose and White Rose"
摘要
本論文比較東方蝃蝀〈牡丹花與蒲公英〉與張愛玲〈紅玫瑰與白玫瑰〉在創作視角上的差異。東方蝃蝀雖然具有模仿張愛玲的意味，而有「男版張愛玲」之稱，但其實作品帶有自己的創作意識。這兩篇小說的角色塑造、情感、心理狀態甚至筆下的都市風貌，均呈現極大差異，但主要還是在於「性別視角」的不同。張愛玲擅以「愛情」為主題帶出男女主角的心理狀態，其結局多呈現蒼涼一面；東方蝃蝀較擅於經營男性人物心理，而在女性角色上加入了「娜拉」出走的形象，將出場角色縮減，如：〈牡丹花與蒲公英〉中的孟元芳帶有〈紅玫瑰與白玫瑰〉中振保、烟鸝的個性與特色。本文主要以佛洛伊德與榮格相關精神分析學理論剖析小說中角色的心理狀態，海派小說多受佛洛伊德理論影響，透過理論分析可以推知小說中角色一舉一動的肇因，凸顯了東方蝃蝀對「父親文化」有一時的反抗與呼救。最後關注小說中的特寫鏡頭，以呈現此視角差異。東方蝃蝀常將鏡頭聚焦於女性的頭髮上，以部分代替全身詮釋誘惑男人的動作，但其鏡頭並無張愛玲飽滿，而容易呈現潰散狀態。東方蝃蝀雖然在藝術成就上無法超越張愛玲，卻帶有自己的視角特色。
並列摘要
This study compares the differences in creative perspectives between DongfangDidong's "Peony and Dandelion" and Eileen Chang's "Red Rose and White Rose". Although DongfangDidong is known as the "male version of Eileen Chang" due to his imitation of Eileen Chang, his works carry his own creative sense. The characterization, emotions, psychological states, and even the urban landscape in these two novels are very different, but the main difference lies in the "gender perspective". Eileen Chang is good at using "love" as a theme to bring out the psychological state of the male and female characters, and her endings mostly show a bleak side; DongfangDidong is better at managing the psychology of male characters, while adding the image of "Nora" running away to the female characters and reducing the number of appearances. For example, Meng Yuanfang in "Peony and Dandelion" has the personality and characteristics of Zhenbao and Smokey in "Red Rose and White Rose". Eileen Chang is good at bringing out the psychological state of the male and female characters with the theme of "love", and her endings are mostly bleak. Dongfang Dingdong is better at managing the psychology of male characters, while adding the image of "Nora" running away to express her rebellion in the female characters, and reducing the number of characters appearing in the play, e.g. Meng Yuanfang in "Peony and Dandelion" has the personality and characteristics of Zhenbao and Yanli in "Red Rose and White Rose". This paper analyzes the psychological states of the characters in the novel by using Freudian and Jungian psychoanalytic theories. The influence of Freudian theories in most of the novels of the Shanghai Style Novels can be deduced from the theoretical analysis of the causes of the characters' actions in the novel, highlighting DongfangDidong's momentary rebellion and cry for help against "father culture". Finally, we focus on the close-ups in the novel to show this difference in perspective. DongfangDidong often focuses the camera on women's hair, replacing the whole body with a partial interpretation of the action of seducing men. However, DongfangDidong's camera is not as full as Eileen Chang's, and is prone to fracture. Although DongfangDidong cannot surpass Eileen Chang in terms of artistic achievement, he has his own distinctive perspective.