夏目漱石之悖論式浪漫觀構造

本論文著眼於夏目漱石在其浪漫觀形成時自身所下諸多看法與規定，並將此諸多看法與規定施予具體且具學理性質探究之。方法則從夏目漱石自身所學東西方文學教養進而自撰而成的學理三部作中全面性探究其獨特浪漫觀全貌。而此研究觀點有別於過往有關夏目漱石浪漫觀之諸多研究（例如:以夢與詩之相互調和，或客觀式認識與主觀式感動交互相融而成之具體藝術表現為主軸的近代浪漫主義論等。亦或在既有研究範疇中所探究出如「極富超越哲學色調之理想」（北村透谷），或「深具日式、東洋風傾向」（幸田露伴）等觀點。首先，將初期作品集中出現的浪漫觀與「歷史性」及「世界觀」做相互探討，追究由其學理三部作中所闡述的浪漫主義理論已內含浪漫觀與「歷史性」及「世界觀」間的論理關係。其次將研究視點放在浪漫觀與「生死問題」及「命運觀」兩者間之相互觀係。即，探究將「生死問題」及「命運觀」視為同一類別的夏目漱石是如何透過中長期小說作品透視悲觀主義世界。再者，無論是小說人物的造型塑造，亦或故事情節的開展等，夏目漱石又是如何將其具體投射在小說世界裡。

關鍵字

夏目漱石；浪漫觀；悖論式；樂觀主義；悲觀主義

並列摘要

This paper focuses on Soseki-Natsume when it formed itself under the romantic view of the many views and regulations, and a lot of views with the provisions of this administration and having specific physical properties of inquiry of learning. Researching method on Soseki from the East and West have learned parenting literature thus theoretical essays from the three for the comprehensive exploration of its unique romantic view of the whole picture. This point of view is different from many research studies related to Soseki romantic view of the past (for example: to reconcile dream and poetry, subjective or objective type understanding style moved from the specific interaction with the blending of artistic expression as the main theory of modern romanticism and so on. Or in both the scope of the study in the inquiry as ＂very transcend philosophical tone of the ideal＂ (Kitamura Toutoku), or ＂deep Japanese, oriental style tendency＂ (Koda Rohan) and other point of view. First, the initial work will focus on the emergence of the romantic view of the ＂historic＂ and ＂world view＂ do investigate each other, to pursue its three theoretical Theory of Romanticism as set forth in the romantic concept has been embedded with ＂historic＂ and ＂world view ethical relations ＂between. Secondly, the research point of view on the romantic concept of ＂life and death＂ and ＂View of Destiny＂ View-based mutual between the two. That is to explore the ＂life and death＂ and ＂View of Destiny＂ as the same type of Natsume Soseki is how the world through long-term perspective pessimism novels. Furthermore, both the fictional style shape, or will carry the story and so on, Soseki is how it specifically projected fiction world.