芥川龍之介的徘句屬於「文人俳句」的範疇。芥川的俳句經歷依據「我的俳諧修行」一文所述,他在小學四年級時第一次嘗試十七字的創作。俳號「我鬼」的芥川雖然說「自己除了俳句之外別無餘技」,但是他的俳句作品已超越作家餘技的範圍,有著自己的獨特境地。而芥川的遺族以《澄江堂句集》當作香奠的回禮送給弔唁客人,其中收錄了芥川自己選取的俳句七十七句。芥川的名句中,受到好評的大多是典雅、具技巧的俳句;但是另一方面,以平實的手法紀錄日常生活中所思所感的俳句,更能夠窺探到芥川生活上的真實面貌。本論文首先簡述芥川的俳句創作歷程,透過「隱遁的憧憬」「病痛」「感覺描寫」等三方面來分析芥川記錄日常生活的俳句,並同時探討芥川在俳句創作上達到的境界。
Ryunosuke Akutagawa's haiku belongs in the category of the haiku written by specialized authors. According to ”My Painstaking Efforts in Haiku”, he tried to compose 17-character haiku first time in the fourth grade. Although Akutagawa himself said that he had no trifling skills except haiku, he was far beyond a dabbler. It is said that many famous haiku of Ryunosuke Akutagawa had showed elegant skills. From the haiku which Ryunosuke Akutagawa composed straight to record his daily life, we can learn him further. In the report, the haiku experience of Akutagawa is first sketched. Then the three aspects of ”admiration of seclusion”, ”disease”, and ”sense expression” was inspected. The main purpose of the report is to research artistic conception of the haiku of Akutagawa as a haiku poet.