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屏東縣山地門鄉傳統服飾圖騰之田園調查-以頭目婚禮為例

Pingtung County Sandiman Township Traditional Costumes Totem Fieldwork - Chieftain Wedding as an Example

摘要


排灣族在台灣原住民中是最富有藝術天份的族群,尤其在服飾、雕刻和陶壺的創作上。排灣族傳統服飾之圖騰是台灣14個原住民族中最華麗且最具豐富性。排灣族社會採用階級制度,從傳統服飾上的圖騰,即可顯示該族人的身分地位。排灣族各支群間傳統服飾的外在形制、服裝顏色都差不多,服飾的差異性在於圖騰設計的不同,排灣族人希望自己的圖騰是與眾不同的,故本研究以田野調查方式參與2011年11月19日由屏東縣三地門鄉公所舉辦的南島族群婚禮系列活動─頭目婚禮,調查研究山地門鄉貴族傳統服飾之圖騰設計風格,解說圖騰意涵以及作為日後排灣族傳統服飾圖騰圖鑑資料庫之建立。

關鍵字

排灣族 山地門鄉 傳統服飾 圖騰

並列摘要


Paiwan aborigine ethnic group in Taiwan possesses the richest artistic talent, especially in the creation of clothing, carvings and clay pots. Paiwan's traditional costumes of the totem are the most beautiful and most abundant among 14 indigenous races in Taiwan. From the traditional costumes of Paiwan one can recognize the status of their identity. The Paiwan tribal traditional costumes are similar by their color and they are differentiated only by the designs of totem. This study is involved in the fieldwork of Austronesian wedding series of activities held by the Sandiman township office, Pingtung County on November 19, 2011. The leader of the Traditional Costume Research Center in Sandiman Township explains the meaning of the different totems in the designs and also the role of creation in order to establish the database of the clothing totem illustrations.

並列關鍵字

Paiwan Sandiman Township Traditional Costumes Totem

參考文獻


王貴(2001)。淵源長流 : 排灣─拉瓦爾亞族達瓦蘭部落貴族之探。屏東縣大武鄉原住民文化藝術發展協會。
王嵩山(2001)。當代台灣原住民的藝術。台北:國立台灣藝術教育館。
李莎莉(1994)。排灣族的衣飾文化。台北:自立晚報社文化出版部。
李莎莉(1998)。台灣原住民衣飾文化:傳統‧意義‧圖說。台北:南天書局有限公司。

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