摘要
范咸於乾隆十年任巡臺御史，留任二年間，著有《婆娑洋集》、《重修臺灣府志》。然《婆娑洋集》亡佚，目前可輯佚出詩作一百零四首。其中最有名的詩作爲〈臺江雜詠〉組詩三十六首，〈赤瓦歌〉等，本文針對其詩作內容及技巧做一彙整研究。范咸詩作的內容題材可分爲風俗民情、蟲魚草木、傳說逸聞、地理風貌及寫景抒情等五類。因其創作動機在「實心以爲惠政，即風雅而爲治術」，故其詩作之特色乃是以詩爲史，爲詩有多引文，此一形式上的特色造成了韻散結合的效果，且范咸作詩多善用典故。茲研究范咸詩作可爲清朝時來臺任官等詩人們，如郁永河、黃琡敬、藍鼎元、張湄、六十七等人建立其詩人圖像。
並列摘要
Fan Hsien came to Taiwan during Qian-Long tenth years for the purpose of being the governor of Taiwan. He stayed at the job for two years and wrote ”PO SUO YANG Poem Collection” and ”The Reedit of Historical Records of Taiwan Government” However, ”PO SUO YANG Poem Collection” was lost, we could just search his writings from other people's books and found 104 poems. The most famous parts among them are ”Ode to Taiwan”、”Red tile song”.. etc. This paper is to discuss about the content and the skill of his poetic composition. His work may be divided into five categories: the customs of Taiwan, the description of creatures, the fables and anecdotes, the geographical landscapes and describes the scenery to expresses feelings. Because his motivation of writing poems is that ”the description of poem is the measure to administrate people well for the purposes to be beneficial to public affair in reality”, so his characteristic of writing is to take the poem as a tool to record history and use citation frequently. This characteristic of form created the effect of combining the rhyme with the union. In additional, Fan loved to use literary reference massively. The paper study Fan Hsien's poems as a approach to realize the general image of poetry who ever came to Taiwan in Qing Dynastry