論新文學時期散文理論的文類建構及現代散文的抒情本質

Constructing Literary Genre in Prose Theory during the New Literature Period and the Lyrical Essence of Modern Prose

蔡政洋(Cheng-Yang Tsai)

《嶺東通識教育研究學刊》 10卷3期 (2024/02) Pp. 71-101

摘要

散文一詞定義向來模糊，本文嘗試透過新文學時期幾個重要的定義來解析散文如何從古典文學進入現代成為一現代文類。在廚川白村、周作人與郁達夫對現代散文的闡釋中，可以獲知現代散文如何在翻譯詞彙與中國文學史的脈絡中探尋自身的核心價值。並觀察夏丏尊《文章作法》一書的編寫方式，與姚鼐《古文辭類纂》兩相比較，連結到桐城派古文的文論及文學觀，推想現代散文如何繼承「文如其人」、「修辭立其誠」等作者與作品間的主體倫理規範。透過這一系列觀察，可以窺見「現代散文」作為一「文類」以抒情為其內容與藝術表現的源流。

關鍵字

現代散文 ； 抒情散文 ； 周作人 ； 郁達夫 ； 夏丏尊 ； 廚川白村

並列摘要

The term "散文" has always been ambiguous in definition. This paper attempts to analyze how prose evolves from classical literature to modern times as a contemporary literary genre through several significant definitions from the New Literature period. Through the interpretations of modern prose by Kuriyagawa Hakuson, Zhou Zuoren, and Yu Dafu, it can be understood how modern prose explores its core values within the context of translation terminology and Chinese literary history. By examining the writing methods of Xia Miezun's "文章作法 " in comparison with Yao Nai's " 古文辭類纂 ," it is connected to the literary theories and literary views of the Tongcheng School of ancient prose, speculating on how modern prose inherits the subjective ethical norms between authors and works such as "文如其人 " and "修辭立其誠." Through this series of observations, it can be glimpsed that "modern prose" as a "literary genre" traces its origins in lyricism in terms of content and artistic expression.

並列關鍵字

Modern Prose ； Lyrical Prose ； Zhou Zuoren ； Yu Dafu ； Xia Miezun ； Kuriyagawa Hakuson

參考文獻

〔南北朝〕劉勰，《文心雕龍》，台北：商務印書館， 1947。

〔清〕姚鼐，《古文辭類纂》，上海：世界書局， 1936。

趙家璧主編，《中國新文學大系‧散文一集》，上海：良友圖書，1935。

趙家璧主編，《中國新文學大系‧散文二集》，上海：良友圖書，1935。

趙家璧主編，《中國新文學大系‧文學論爭集》，上海：良友圖書，1935。