余心有寄？－論余光中散文與古典賦的關係

The Relationship between Yu Guang-zhong's Essays and the Classical Fu

陳伯軒(Po-Hsuan Chen)

《人文集刊》 7期 (2008/12) Pp. 93-116

https://doi.org/10.29470/JH.200812.0004

摘要

歷來對余光中散文的討論，有一部分的評論慣於將余光中散文與古典賦作比賦與並列討論。由此，引發出我們的疑惑：古典賦與現代散文不只文體本身不同，而且一為古典一為現代，二者產生的歷史事實迥然大異。這兩種文體是否真能在余光中散文中能進行結合？本文從賦與散文兩者的文類特質，試圖以其相似與相異處，為余光中散文與古典賦的關係，進行梳理與解釋。

關鍵字

余光中 ； 現代散文 ； 賦 ； 文類特質 ； 語言藝術

並列摘要

So far, many critics have once compared Yu Guang-zhong's essays with classical Fus (賦) and have discussed these two kinds of literature genres together, which confuses us in that how come these two different literature genres can be combined in Yu Guang-ahong's essays. We are confused because they are not only different styles from different literature systems-one is a classical fu; the other is a modem essay-but reality from the historical facts they presented and have been are totally far away from each other. Now, we are going to discuss with the relationship between Yu Fuang-zhong's essays and classical Fus by analyzing the similarities and differences between the features of classical Fus and those of modem essays.

並列關鍵字

Yu Guang-zhong ； Modern essay ； Fu ； Quality of Genre ； Linguistic Art