- 期刊
行旅人筆下的山水－張九齡行旅詩中的情、景關係
Scenery of Travelers-Feeling and Scenery Relation in Zhang Jiuling's Traveler Poems
摘要
中國山水詩史向來採取兼容並蓄的態度，涵括著遊覽、行旅、山水、田園諸篇來編寫。張九齡《曲江集》中實無真正的山水詩，但其行旅詩中描寫山水的部分，卻倍受詩評家們關注，甚至贏得衣被後世王（維）、孟（浩然）的美譽，那麼對於張九齡筆下的山水，自然不能等閒視之。 《曲江集》中山水詩句的引人注目，與其情、景諧調互發、完美結合息息相關，更因爲這樣的創作特徵，其行旅詩在中國山水詩歌的發展上，逐漸擺脫大謝「外無遺物」的堆砌風格，「清省宏麗」的筆調更趨近於謝朓，成爲開啟盛唐王、孟之源。其次以行旅身分作詩，山水景物的形狀聲色，並不是宦遊人關注的焦點，登高賦詩看重山川對詩人情思的啟發，張九齡憑著成熟的興寄手法，以山水物色興發情感，其詩自然寄意遙深，高古渾樸。胡震亨評其詩當於「塵外置賞」，可謂知音；概四字清楚標識張九齡創作的獨特風格，說明了其五古之所以清空與興味無窮的原因。盛唐清音，肇端乎九齡，由其行旅詩觀察，誠非虛言！
並列摘要
It always incorporates diverse things in Chinese scenery poem history, including sightseeing, journey, scenery, and idyll. There is no actual scenery poem in Qujiang Ji by Zhang Jiuling. However, the scenic description in his traveler poems drew much attention, and even obtained praise from later poets, Wei Wang and Haoran Meng. Therefore, the scenery of Zhang Jiuling is significant. Poems in Qujiang Ji incorporated well with the feeling and scenery, which attract people. Because of the creation characteristic, his traveler poems in chinese scenery poems were getting free from pile style gradually, turned into concise and magnificent style, and led to Wei Wang’s and Haoran Meng's styles in the prime of Tang dynasty. Furthermore, the inspiration from scenery to poets' feeling is essential to making traveler poems. Zhang Jiuling expressed his feeling by scenery with proficient skills. His poems are meaning and primitive. Zhenheng Hu commented that Zhang Jiuling's poems are primitive and flavorful. The comment depicted Zhang Jiuling's distinctive creation style. Observing Zhang Jiuling's traveler poems reveals that the primitive fashion of the prime of Tang dynasty originated from Zhang Jiuling.