並列摘要
In the early 80th, Xi Mu-Rong appeared in Taiwan poetry circle with her lyrical poems about the rapture of love and its eternal longing. Although widely accepted, her works were considered narrow in theme. Her style breakthrough came after 1989 when she made a trip back to her motherland, Mongolia. To express her new experiences there, it seemed necessary for her to acquire a new writing strategy, and eventually, in early 21st century, she completed three poems entitled Suite of Heroic Ballads in a narrative style. What was the reason behind Xi's turn to narration? Looking back, her style change can be attributed to her calling to advocate, and to tell the stories of, her native land. As it developed, she reached a new peak of her artistic career.