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Red Sorghum: Image as Narrative Mediator between Humans and Nature

並列摘要


In Chang I-mou's Red Sorghum, the image of sorghum often initiates narrative through the intertwining of humans and nature. Sorghum in this sense sometimes personified, sometimes witnessing history and becoming history, takes on the primary focus of filmic narration. With detailed discussion of chosen scenes, this paper tries to expound upon its ”role” in the film, to reveal the intricate relationship between image and narrative, to examine how it enhances narrative through the aesthetic aspect of metonymy. The paper will also discuss how the film displays double visions of postmodernism tinged with sorghum as an image of contextualized backdrop.

並列關鍵字

Mediator cinematography mise-en-scene carnival contiguity metonymy scene stretch

被引用紀錄


Tsikun, M. (2006). 俄羅斯原住民知識保護:生物多樣性公約第8j條款 [master's thesis, National Tsing Hua University]. Airiti Library. https://doi.org/10.6843/NTHU.2006.00445
Lee, P. Y. (2011). 功能性磁振造影研究:公平於競爭與合作人際情境中對社會互動之影響 [master's thesis, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2011.02336

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