潘玉良的生平與畫作中的女性形象

The Life and the Female Image Revealed in Pan Yu-Liang's Paintings

楊永雯(Yung-Wen Yang)

《遠東通識學報》 1卷1期 (2007/07) Pp. 53-68

https://doi.org/10.6795/JFEUGE.200707.0053

摘要

潘玉良(1895-1977)代表1920年代中國最早留學法國的女畫家之一，她一生經歷坎坷，但始終執著於藝術創作，尤其在中國傳統社會裡，女性能突破困難與障礙到國外深造，並立足於藝壇，實屬難得。1929年劉海粟在羅馬聘請她任上海美專教授，並在上海舉辦個展，被譽爲中國第一位女性西畫家，1937年離開上海，再次去法國，定居巴黎。其作品兼具中西繪畫的特徵與精神，以油畫及彩墨女像爲主要創作題材，兼具東方女性婉約優雅之姿與西方女性剛健蓬勃的生命氣息。本文研究目的在探討潘玉良如何融合中西藝術繪畫形式，並如何將女性角色呈現於畫作中。

關鍵字

潘玉良 ； 彩墨畫 ； 女性形象

並列摘要

Pan Yu-Liang (1895-1977), the preliminary female painter who studied in French during the early modern Chinese art history, grew up in the lowly status and uncertain background. It was a very seldom case that although Pan was from the traditional Chinese society, she has established her remarkable art legendary. In 1929, while she stayed in Rome, Liu Hai-Su visited her and asked her for teaching at the Shanghai art school. Thus Pan returned to China and held a personal exhibition in Shanghai. By this accomplishment, she was honored as the first Chinese female western painting artist. In 1937, Pan left Shanghai for France again. She settled in Paris, and created her own style that is to combine the characteristic and spirit between the Chinese and western paintings. The oil paintings and the color-ink paintings of the female image have become Pan's represented style. She animated the female image by describing the elegant gesture of the eastern women and the healthy western women. The object of this study is to research how Pan Yu-Liang combined the Chinese and western form, and how she presented the female characteristic in her paintings.

並列關鍵字

Pan Yu-Liang ； color-ink paintings ； the female image