- 期刊
- OpenAccess
草間彌生之「繪畫」創作表現
A Discourse on the Paintings of Yayoi Kusama
摘要
本文主要是針對酷愛“圓點”為「繪畫」符號形式之日本現存經典藝術家“草間彌生”（Yayoi Kusama），為研究對象。撰寫的內容從創作思想與繪畫風格及演變切入；在創作思想方面：一、心理學、醫學、美學等這三方面來探討。二、在繪畫風格與演變上，以人生階段時期的作品表現為探討分析。茲以創作內涵為主，繪畫表現為輔的分期原則，將草間彌生的繪畫分為四個階段，探討的範圍包括作品的外在形式與內在理念兩方面。藉由研究藝術家充滿迷惑的「圓點、網格、繁殖」繪畫為目的，探討其對藝術上之貢獻，這對藝術工作者而言是有必要性的。此篇研究期能提供教育、文化界日後學術發展之參考。
並列摘要
This article is mainly for the fond ”dot” for ”painting” symbol in the form of existing classic artists ”Kusama Yayoi” as the research object. To write the contents of the cut from the creative thinking and painting style and evolution, Written content cut from the creative thinking of painting styles and evolution; In terms of creative thinking: 1. Psychology, medicine, aesthetics, these three aspects to explore. 2. Painting style and the evolution of the works to the stage of life during the performance to explore the analysis. HEREBY GIVEN mainly to create connotation, the drawing performance supplemented staging principles, ”Yayoi Kusama's” painting is divided into four stages, the scope of the study will include the works of the external form and internal philosophy. By studying artists bewildering ”dot grid, reproduction painting for the purpose, and its contribution to the arts, the necessity for artists. In this study period to provide the education, cultural reference for future academic development.