1930-40年代中國左翼音樂運動的發展－以上海為中心的探討

本文主要在於分析1930年代左翼音樂家們在中國瀰漫「抗日救國」熱情之時，如何針對他們所認定的「靡靡之音」加以批判並進行改造，並以反帝國主義侵略、反抗階級和民族壓迫為創作主題，配合上動員群眾歌詠的方式，來達到了鼓舞民心士氣的作用。此外，也將論述流行音樂界本身如何針對此一時期中國的動盪變化而做出自身的調整，將兒女私情的歌曲，融入戰亂中深沉的無奈，與期待戰爭儘快結束的盼望。透過本研究的進行，或許將有助於從另一個更貼近群眾的角度，來了解上海地區在全中國戰亂的影響之下，其娛樂產業的內涵與特色，並進一步探究當時的音樂人是如何「藉物抒懷」，輾轉地反映出戰爭給人們帶來的創傷和思考。

關鍵字

左翼；上海；流行音樂；抗日救國

並列摘要

This treatise mainly focuses on the analysis of how the left-wing musicians in the 1930s criticized and reformed their ＂ Decadent Music ＂ in China when they were filled with the ＂anti-Japanese national salvation＂ enthusiasm, and adopted anti-imperialist aggression, resisting class and national oppression for the creation of the theme, with the mobilization of the masses to sing the way, to achieve the role of encouraging morale. In addition, will also discuss how the pop music industry itself for this period of China's turbulence changes and make their own adjustments, to change romantic songs, into the deep frustration of the war, and hope that the war ended as soon as possible hope. Through this study, perhaps it will help from another point of view closer to the masses, to understand the Shanghai region under the influence of the war in China, its entertainment industry connotation and characteristicss, and further explore the musicians at that time is how to express their emotions, to reflect the war to bring people to the trauma and thinking.