論京劇之星宿文化呈現——以「雲台二十八將」為中心

在人類長遠的歷史裡頭，「星宿」概念不單應用於自然科學，更橫跨政治、社會、人文等多方領域，發揮其影響意義。本文積極關注星宿傳說與民間戲曲之間的交流關係，在眾多星宿傳說故事當中，選擇「雲台二十八將星宿」作為觀察對象，並以「京劇劇本之星宿文化呈現」為題，整理「雲台二十八將」相關劇目集中研討，試推「雲台二十八將上應星宿」的發展脈絡，並借「雲台二十八將星宿」一說探索星宿文化中的諸多意涵，從星宿傳說到民間讖緯，從星占之學到天命思想，從星象分野到人事政治，均充分進行討論，或可體現星宿文化之於人類生命社會的價值意義。通過客觀角度，於動亂故事類型之劇目加以延伸，更細緻地思考星宿文化與劇目故事的構成問題。

關鍵字

《東漢演義》；雲台二十八將；二十八宿；京劇；星宿文化

並列摘要

In the long history of mankind, the concept of "constellation" is not only applied to natural sciences, but also across various fields such as politics, society, and humanities, exerting its influence. This article pays attention to the exchange relationship between Constellation Legends and Folk Drama. Among the many Constellation Legends, I choose "Yuntai 28 General" as the object of observation, and take "Constellation culture in Peking Opera" as the title. Collect and discuss about "Yuntai 28 General" related repertoire, try to push the development context of "Yuntai 28 General Constellation", and use the theory of "Yuntai 28 General Constellation" to explore many aspects of Constellation Culture meaning. From legends of Constellation to folk Chenn-Weei, from astrology to thoughts of destiny, from division of astrology to personnel and politics, all are fully discussed, which may reflect the value and significance of Constellation Culture to human life and society. From an objective point of view, it is extended to the repertoire of the turbulent story, and more detailed considered the composition of the Constellation Culture and the story of the repertoire.