魯迅(1881-1936)《朝花夕拾》一書,是以1926年所作的十篇回憶性散文集結而成,與《野草》的寫作時間幾乎同時,以〈舊事重提〉為名陸續發表於《莽原》上,後改名為《朝花夕拾》,於1928年9月出版。此書記述了魯迅的童年生活及青年時的求學歷程,其中有許多讓他難以忘懷的人事物。藉由分析魯迅寫作《朝花夕拾》的背景與心境,探索他在現實與反顧之間的徘徊及選擇。不同於《野草》的悲觀絕望、深沉虛無,魯迅於《朝花夕拾》中運用較為輕鬆的筆調來敘述,作品風格顯得清新溫暖。尤其〈從百草園到三味書屋〉一文,擷取了魯迅童年生活的一段美好回憶,百草園中的自由嬉戲,及三味書屋裡的朗朗讀書聲,都是孩提時光裡珍貴的片段。文本中以兒童的眼光進行觀察,不著痕跡地描繪出孩提時那片繽紛多彩的園地;並嘗試於文中加入了民俗故事,表現出過往能夠不受拘束、自由馳騁的想像空間;能見出魯迅藉此文對過往記憶進行懷想,以童趣的心理解讀那段單純天真的時光。筆者藉由分析〈從百草園到三味書屋〉的寫作,嘗試見出魯迅於文本中所擷取的童年掠影。
Lu Xun wrote the book ”Picked up at Evening Flower Morning”, made in 1926. Almost simultaneously with the writing time of ”Wild grass ”. ”Old Time Recall Again ”been published in the ”wilderness” in the name later changed to ”Picked up at Evening Flower Morning”, was published in September 1928. The book records Lu Xun's childhood and youth. By analysis the Lu Xun writing ”Picked up at Evening Flower Morning” background and state of mind, to explore his hovering between reality and duty-bound to select. Different from the ”Wild grass”, ”Picked up at Evening Flower Morning ”described by Lu Xun in this book use a more relaxed style, work style is fresh and warm.In particular, ”From the Lawn Garden to the Sanwei”, captures a period of Lu Xun's childhood memories, the Lawn Garden of free play and Sanwei reading time, and a child of life is precious fragment. Text in the eyes of the children observed, rightly painted when I was a boy, that piece of colorful garden. And try to join in the paper the folk story, showing the past, unfettered, free ride of the imagination. See the kingdom of Lu Xun to take the text of past memories, nostalgia, childlike psychological interpretation that simply naive time. From ”From the Lawn Garden to the Sanwei” writing, try to see the glimpse of Lu Xun's childhood captured in the text.