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影視文本中之喪葬禮儀及其心理療癒作用─以《父後七日》與《百日告別》為例

Funeral rituals in the film texts and its psychological healing effects-Take "Seven Days in Heaven" and "Zinnia Flower" as an examples

摘要


本文將藉由影視文本《父後七日》與《百日告別》情節裡所呈現之喪葬儀節,探究其於人們心理上的慰藉以及促使親屬逐漸接受亡者離世的功能。透過文本、文獻與資料的查考整理及比較,探明這些喪葬禮儀不單是禮俗與禮儀的合成,更蘊涵了人類由古迄今對於生命禮義規矩方面的教導,及其療癒作用。且透過本文可以得知,喪葬禮儀歷經時代的進步與變遷,由繁複細瑣的流程慢慢地發展成為既簡約而又符合現代人生活習慣、形式、步調,以及注重環保概念的新形式。更重要的是,現代新式或另類的喪葬禮儀不僅保有古代喪儀對於逝者的尊敬以外,更有著平撫傷痛,以及內心對於人往生之後賦有更大的極樂盼望。

並列摘要


This essay will use the funeral rituals presented in the plots of the film texts "Seven Days in Heaven" and "Zinnia Flower" to explore its psychological comfort and the function of helping people gradually accept the loss of their family or friends as soon as possible. Through the investigation and comparison of the texts, documents and datum, it is proved that these funeral ceremonies, combining the mind-healing effects, are not only a synthesis of rituals and customs, but also a guide to etiquette and rules for human beings from ancient time to the present, and its healing effects. And through this essay, we can know that funeral rituals have gone through the progress and changes of the times, and have slowly developed from complicated and cumbersome processes into new ones that are more simple, conform to people's current habits, the new style and the pace of modern life, and tend to be more friendly to the environment too. More importantly, modern or alternative funeral rituals not only preserve the respect to the dead like the ancient funeral rites did, but also ease the pain of losing their beloved for the funeral watchers and give them a vision of bliss in the after life without fear of death.

參考文獻


內政部編,《禮儀民俗論述專輯:第四輯──喪葬禮儀篇》,臺北:內政部,1994。
王貴民,《中國禮俗史》,臺北:文津,1993。
王夫子,《殯葬文化學:死亡文化的全方位解讀》,新北:威仕曼,2013。
李秀娥,《臺灣傳統生命禮儀》,臺中:晨星,2003。
李秀娥,《台灣的生命禮俗──漢人篇》,新北:遠足,2006。

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