從《稻禾》看見雲門舞集的發展

Discussing the Development of the Cloud Gate Dance Theater from Its 2013 Production ＂Rice＂

吳宜錚

《舞蹈教育》 12期 (2014/09) Pp. 83-94

摘要

本文採珍妮．愛絲海（Janet Adshead）的舞蹈分析法研究林懷民2013《稻禾》之舞蹈美學結構與多媒體的結合。愛絲海以主題詮釋、特色描述、動作質地分析、意涵認知這四大方向進行舞作詮釋。筆者亦採用洪雅玲的多媒體應用理論作為影像分析論述。藉由欣賞此舞作與其相關文獻探討中洞悉與雲門之關聯及如何細膩的呈現大自然與生命之間的關係。研究發現1.多媒體結合能帶給觀眾不同的美感經驗去明白舞作之意涵，所以影像不再只是演出過程中輔助之角色。2.《稻禾》舞作隱隱約約隱喻著雲門舞集這多年來的成長過程。

關鍵字

舞蹈分析 ； 影像分析 ； 美學

並列摘要

The purpose of this study applied Janet Adshead's Dance Analytical Method to explicit an aesthetic experience of watching Rice (2013). In Adshead's Method, there are four directions of cognitive interpretation which are subject matter, characteristics, movement qualities, meanings. At the aspect of multimedia application, Y.L. Hong's multimedia image analysis theories are also discussed in this study. By appreciate this dance for their insight into the relative literature associated with the Cloud Gate Dance Theatre and showing how delicate relationship between nature and life. This study found: 1. a multimedia combination can bring the audience a different aesthetic experience and a better understanding of the implications for the dance, so the image is no longer the only secondary roles during the show. 2. Rice as a metaphor of the Cloud Gate Dance Theatre growth process.

並列關鍵字

Dance Analysis ； Image Analysis ； Aesthetics