文姬歸漢的離散：黃友棣《聽董大彈胡笳弄》析論

黃友棣先生(1912-2010)創作的《聽董大彈胡笳弄》一曲，涉及唐人詩歌、唐代琴曲、鋼琴協奏、朗誦與混聲四部合唱的藝術形式，其敘事內容則源自東漢末年的文姬歸漢歷史事件。本文從文姬歸漢歷史事件的正史敘事和蔡文姬詩作〈悲憤詩〉中，提取離散的特質，並就離散在西方文化裡原創的意義加以剖析，進而討論此項離散特質存在於作品結構與作者心靈的學理依據，最後以此離散特質析論黃友棣的《聽董大彈胡笳弄》，並以之做為文學與音樂關係研究的一次實踐。

關鍵字

離散；黃友棣；文姬歸漢；胡笳十八拍；文學與音樂

並列摘要

Listening to Dong-Da's Performance on a qin melody is a musical poetry composed by Professor Hwang Yau-tai (1912-2010). This work features a Tan Dynasty's poetry, Qin melody, piano solo, recital and four voices chorus. All the features concerns the history of ”Cai Yen's Captivity and Return” happened in the end of Han Dynasty. Through analyzing Hwang Yau-tai's work this paper will prove that the ”diaspora” as a leitmotiv could exist in the mind as well as in the works written or composed with the stories of Cai Yen's Captivity and Return. What has been addressed in this paper includes the following issues: to find a characteristic of ”diaspora” from the history of Cai Yen's Captivity and Return as well as Cai Yen's poetry named ”Bei Fen”; to trace and illuminate the meaning of diaspora; to give a theoretical elucidation to the phenomenon that the diasporal characteristic is in the mind and in the works. This paper is also expectedly seen as a practice on the study of the relationship between literature and music.