摘要
南管音樂的展現，除了平日在館閣中的排練與春、秋二季的孟府郎君祭典暨整絃會奏之外，偶而也會出現在少數的廟會活動以及婚禮、喪禮等場合。參與喪禮儀程中的南管演奏，依時機不同分為：靈前整絃以及採絃管祭儀式進行的三奠禮。在喪禮中以絃管祭奠祭，對於已故的南管人而言是一種榮耀與絃友相送的情義。個人在去年以及今年共參與了三場絃管祭的演奏，對於三奠禮中必須注意的細節很是好奇，並認為它是一個值得仔細紀錄與研究的議題。絃管祭有固定使用的必備器物、嚴謹的禮儀以及特定的演奏曲目。然而，隨著社會變遷，部分喪禮儀程被縮減，以及往生者的家屬是否接受絃管祭儀式的態度，這對於絃管祭是否能在喪禮儀程中順利舉行確實有相當的影響。這些也將是本篇論文關注的重要部份。
並列摘要
Other than ordinary practicing in clubs, ensembles and Lang Jun's commeration Spring and Autumn concerts, Nanguan music emerges once in a while for occasions such as religious carnival activities, weddings and funerals and other such events. When taking part for funeral rituals, Nanguan renditions are classified as ensembles playing music positioned in front of the tablet honoring the deceased or for commemoration procedures carried on for Sián-gǔan-jì customs performed at specific timings. It is considered to be a type of honor and friendship given by Sián-gǔan-jì and devoted fans of Nanguan music as a tribute for the deceased person. To research this topic, I participated in tree rituals of Sián-gǔan-jì, one occurring during this past year and one year the before. This experience clarified the details regarding the elements which comprise a commemoration ceremony: required equipment, awareness of the exact transactions of the ceremony and which specialized songs are regular and mandatory for Sián-gǔan-jì. This paper also examines since society has undergone transitions how the customs concerning funeral practices have been minimized The last aspect investigates the influence of the attitude of the relatives of the deceased in their response to the Sián-gǔan-jìs which actually has a great impact on how properly the funeral transpires.