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銅管音樂風格與樂器進化歷史之影響

The influence between brass music and the instrumental innovation history

摘要


此文所研究的面向主要是以樂器發展歷史與音樂風格的觀點來探討銅管樂器家族在工業革命之前與之後產生的重要改革,再進一步探討銅管樂器在音樂史發生了哪些重要的音樂風格發展,以今日觀之,樂器革新對於現代銅管樂器演奏風格的演變至關重要。在探討銅管音樂風格演變之前,確有必要先對早期銅管樂器相關歷史進行了解,銅管樂器家族是人類歷史上年代久遠的產物,最早被納入音樂殿堂的銅管樂器是自然號圓錐管系列的樂器,其次,在十五世紀,長號也加入了宗教音樂的行列,而小號由室外用途走入室內演奏的時間則更晚一些。在探討現代銅管樂器決定性的大改革之前,本文將回顧銅管家族的歷史與軌跡,以期建立全面的清楚概念。

並列摘要


The research direction of this paper is mainly to explore the reforms of the brass instrument family before and after the industrial revolution from the perspective of the development history of musical instruments and musical styles, and then to further explore what brass music have developed in the history of brass instrumental innovation. Seen today, instrumental innovation is crucial to the evolution of modern brass playing styles. Before discussing the evolution of brass music style, it is necessary to understand the history of early brass instruments. The family of brass instruments is a product of human history. The earliest brass instruments included in the music hall are the natural horns, in the fifteenth century, the trombone also joined the ranks of religious music, while the trumpet moved from outdoor use to indoor playing later. This article will review the history and style trace of the brass family in order to develop a comprehensive and clear concept.

參考文獻


皆川達夫。《巴洛克音樂》。吳憶帆翻譯。台北 : 志文,1972。
陳錫仁。《小號演奏藝術研究》。台北 : 樂韻,2008。
赫洛德.荀伯格(Harold Schonberg)。《從巴洛克到古典樂派》。陳琳琳翻譯。台北 :萬象圖書公司,1998。
鄧詩屏。《從巴哈到海頓時期的小號演奏風格演變》。台北 : 文史哲,2008。
Bate, Philip, The Trumpet and Trombone: An Outline of Their History, Development and Construction, 2nd edition, New York, Norton, 1978.

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